Coco Chanel, Suzy Parker et Serge Lifar, Paris, Janvier 1959 Photo Willy Rizzo
From July 24 to August 31, 2017, the Leica Gallery in Salzburg in collaboration with the Hotel Sacher Salzburg, is presenting an exhibition of works by Willy Rizzo.
COCO CHANEL BY WILLY RIZZO
Coco Chanel with her Model friends by
Willy Rizzo's analogue works with some of the biggest names in fashion.
Coco Chanel by Willy Rizzo & Vogue Covers ← News ←
Coco Chanel, Paule Rizzo, Paris, Janvier 1959 Photo Willy Rizzo
Coco Chanel, Paule Rizzo, Paris, Janvier 1959
La rue Cambon, c’était un parfum. Le N°5 qu’on vaporisait chaque matin, à l’ouverture. Une odeur de boudoir, d’amour. Et de ruche. Car chez Chanel, chaque abeille travaillait au service de la reine. Les vendeuses portaient du noir, les ouvrières et les mannequins entre les essayages, la blouse blanche. Et les clientes comme la « patronne », le tailleur en tweed que « Mademoiselle » s’acharnait à appeler « costume », un modèle presque unique, répété, copié, et pourtant toujours différent. Et ça faisait comme une armée, prête à marcher au pas, au moindre désir de son général. On the Rue Cambon, Chanel No. 5 was sprayed every morning when the doors opened. It was the aroma of a boudoir, of love. And of a hive: at Chanel, every bee worked in the service of the queen. The saleswomen wore black, and the workers and the models between fittings wore white overalls. And both the customers and “la patronne” wore a tweed outfit which “Mademoiselle” insisted on calling a “suit.” It has been copied countless times but never matched. Her employees were like an army ready to march at the slightest gesture from its general. Mademoiselle To my knowledge, there was only one other like her in French history: the cousin of Louis XIV, who had the nerve to fire cannons on the king’s army. She was called La Grande Mademoiselle. Mine was hardly grand. Some called her Coco, remembering the sparrow she once had been. I would never have thought of it. Mademoiselle was a queen indeed.
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